Unison vowel production in Music Education III

Robert Shaw, the incomparable American conductor, said, “To create a smooth legato line, sing vowels only until the vowels align with the beat. Then add the consonants back in “on top” of the vowel line“.

This is a very short way of stating my earlier blog on unison vowel production and legato line; but if short and sweet works better for you, then I am happy to include his words.  I do tend to belabor a point, I have been told….

Anyway, you can hear the success of using this technique in the Robert Shaw Chorale rendition of  “Shenandoah”.  I cannot think of a lovelier example of legato singing.

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Michelle Mayer

Thank you for joining me on Adventures in Music Ed. Here I'm going to show you great music education products, give you tips on either teaching or learning note reading and music theory, show you the downlow on historical music figures and icons, and of course, write articles (cautionary tales!) about events and experiences to educate and entertain. Check out the "About Michelle Mayer" tab above to hear samples from my CD.

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